Showing posts with label salut d'amour. Show all posts
Showing posts with label salut d'amour. Show all posts

Monday, February 20, 2012

Salut D'Amour

I had a wonderful day out with my bff last week and after we ate lunch we stopped a
local antique mall. My lone purchase was this beautiful piano roll.  I have a few other
piano rolls that I have picked up in the past, but none that had any kind of graphics.
As soon as I opened this box I knew it would be going home with me so I happily
 paid the $2.50 for this beauty.


Doesn't it have amazing graphics?


I laid the roll on top of my window to take a photo , but it will not be staying here
because I have a feeling that it would fall off and get ruined.

Look at the amazing graphics. It really doesn't look like it was ever used, but I suppose it was.
I don't think many people back then purchased anything that they didn't use.  That being said,
someone took very good care of it and I am happy to be the new owner.

I looked Salut D'Amour up on Wikipedia and found this to be very interesting:

"Elgar finished the piece in July 1888, when he was engaged to be married to Caroline Alice Roberts,
and he called it "Liebesgruss" ('Love’s Greeting') because of Miss Roberts’ fluency in German.
When he returned home to London on 22 September from a holiday at the house of his friend
Dr. Charles Buck, in Settle, he presented it to her as an engagement present. Alice, for her part,
offered him a poem called "The Wind at Dawn" which she had written years before and which
 he soon set to music.



The dedication was in French: "à Carice". "Carice" was a combination of his wife's names
 Caroline Alice, and was the name to be given to their daughter born two years later.


It was not published (by Schott & Co.) until a year later, and the first editions were for violin
and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until
Schott changed the title to "Salut d’Amour" with Liebesgruss as a sub-title, and the composer's
 name as 'Ed. Elgar'. The French title, Elgar realised, would help the work to be sold not only
  in France but in other European countries: Schott was a German publisher, with offices
 in Mainz, London, Paris and Brussels.


The first public performance was of the orchestral version, at a Crystal Palace concert on
11 November 1889, conducted by August Manns."


Once again, the photos are not the best today with the bad lighting , but I wanted to share
it anyways.   Hope you all are having a wonderful day!